Book Excerpt

Second Fiddle
By Arline Chase

        Lorena,


        When I married Jedediah Hardacre it almost cost me my life, for a fact. 'Course, it isn't any wonder why I did it. I grew up on a rock strewn upland farm in Catfoot's Hollow near the banks of Tedious Creek. That accounts for a lot. There were nine of us kids in the Terry family and never enough of anything to go around. I don't remember a single night when we didn't go to bed hungry. But why my twin sister, Verbena, is doing what she's going to do, I just can't understand. It's not as if I haven't tried to warn her.

        Verbena and I always attracted attention, because we're identical twins. But I have to admit there was a lot of jealousy between us, too. All the Terry kids wore hand-me-downs. But when things were handed down to Verbena and me, we had to share; make one good dress do for two. Nobody could afford to dress us up cute the way some folks did with twins. Looking back, it seems like we were always fighting over who got what.

        I remember once Papa took the whole family to the county fair over near Cherokee River. Every place you looked they had hot dogs and ice cream and fat pink swaths of cotton candy. I watched other kids eating it, knowing Papa didn't have nine quarters. I knew not one of us would get any, unless we all could have some.

        A woman tried to give me a quarter, but Mama jerked my hand away and said, "Lorena, come away from there with your hungry eyes!"

        My sister Verbena's eyes were hungry that day, too. But she wanted the flashing lights, the wheezing canned music, and the prancing horses of the double-decker carousel. Papa had no quarters for her, either.

        I guess you could say the only good thing about our growing up was the music. Grandpa taught me to fiddle as soon as I was big enough to hold a bow. Johnny played banjo; Everett and Chris played guitar, and Tom had a doghouse bass, so we had a pretty good little family bluegrass band.

        Grandpa tried to teach Verbena to fiddle too, but it was hard for her, because she was left handed. We were supposed to share -- but instead of practicing when it was her turn, she'd lay the fiddle down and go outside to play, so I'd pick it up. As usual, she accused me of hogging the fiddle, like everything else. But if she wasn't going to play it, I couldn't see why I should let that fiddle lay idle.

        Anyway, by the time I was sixteen, I was a pretty good fiddler. If we went to a barn dance, or to one of the square dances at the Grange hall, I'd usually hang around with the old time fiddlers so I could learn their fiddle tunes. I had a knack for remembering all the different versions of them, too. Fiddle music changes in your heart and no two people hear the songs exactly the same way. So Bob Tarkas's version of "The Mason's Apron" has some added notes and is played in a whole other key than Ben Greene's version of the same song.

        At fifteen, Verbena couldn't have been less interested in playing the fiddle. But she was interested in fiddlers, and most other kinds of men. Not that I was unaware of the opposite sex, myself. I had hungry eyes then for Jimmy Bob Ledbetter, and he for me. He was a bass player in another band and we made some pretty good music together for a fact. We got married three weeks after my sixteenth birthday, moved to Cherokee River, and had a baby. For awhile there, it felt like we were living on cotton candy. Every day of my life tasted sweet.

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        Verbena,


        All my life, I've played second fiddle to my twin sister Lorena. Envy can twist you all up inside and make you do things you never thought you would. I know now that it almost cost me everything in life that means anything to me. I wish I could change what happened, but I can't.

        Rena was the oldest by five minutes and it seemed like to me she always got everything I wanted -- even Jedediah Hardacre. He was just the kind of man I'd looked for all my life. Seems like I couldn't keep myself from playing second fiddle one last time, though I knew my sister would never forgive me.

        Growing up on a hardscrabble farm, where the only crop Mom and Pop could count on was another young'un every year-and-a-half, wasn't easy. Being twins, we needed twice as much of everything -- and got half as much apiece.

        When Grandpa gave us fiddle lessons, Rena hogged the instrument, but even if I had practiced, Rena would've played better. She did everything better than me.

        First off, she was born with a veil. Folks around here believe in second sight, so people listened to her when she talked. Like when she warned me not to marry Dory Trice -- said he was mean-spirited, poorer than dirt, and a tightwad to boot. He was too, but I was pregnant. Dory had a hill farm that grew mostly rocks. The well was a hundred yards from the back porch. He drove it close to the barn, because we had to hand carry all the water and the feed for the animals. I suppose it made sense, but I hated him on wash days.

        Rena married Jimmy Bob Ledbetter and moved in town to Cherokee River. They went to the picture show every week. I wanted to go too, but Dory wouldn't. It didn't take long to get tired of lugging water by the bucket, washing diapers on a scrub board, and begging the neighbors for a ride every time I went to town.

        Barry and Millie Porter were the neighbors we asked for rides. They had the farm below us that ran down into bottom land. Millie didn't drive and her migraines were bad. I knew Barry had a girl in town, and Millie knew it too -- that's why her head hurt.

        One time Barry saw me looking at a sweater that cost forty dollars. My lord, that was a pretty thing! But I didn't have forty cents. I guess he saw my face when I put it back, because he said, "A pretty woman ought to have pretty things." Barry gave me a look and I knew what it meant, but I just shook my head and walked away.

        The next week, me and Dory had a big fight when he found out I was on the pill. Truth is, I had a real rough time when Dorianne was born. I'd been asking for money for medicine and he took a look at the packet and realized what it was for. He said we couldn't spare money for medicine that wasn't really needed. I said the pills were cheaper than another baby. Dory said he was saving to buy some bottom land and every cent counted.

        The next Friday, when I went into town, I "borrowed" the money to get my prescription refilled. I told Barry I'd pay him back, but we both knew Dory'd never give me a cent. Barry was something I'd never expected to find -- a man I could talk to. He listened to my troubles and I listened to his.

        They had lost a baby some years back and it hit Millie harder than him. Afterward, she couldn't have any more kids. Barry said that was when Millie changed.

        "She used to fun-loving. Now she won't let me near her in bed," Barry told me, when I asked him why he was seeing that girl in town. "Vee, I'm not old enough to spend the rest of my life without any -- companionship."

        When I asked if he didn't mean love, he surprised me. "It's Millie I love. Millie the way she used to be. The other is strictly business."






Author ARLINE CHASE

         Arline Chase, author of THE DROWNED LAND (winner of the Maryland Govenor's Award) and GHOST DANCER, NO BROKEN PROMISES, KILLRAVEN and SECOND FIDDLE is an exceptionally diverse writer who can, and does, write everything from romance and mystery to humorous essays. She has published more than 450 freelance stories and articles, covered the 'cops and courts' beat as a journalist, and for 20 years now, has led workshops at writers' conferences on the East Coast including the International Women's Writing Guild Summer Conference at Skidmore College. She can be reached at:www.sunweaver.com/arlinechase.